World Saviors was my first fashion film, and the shoot ended up going smoothly. The designer had been sharing his ideas with me since the early brainstorming stages, so I was fully aligned with his vision for the film, which accompanied his senior thesis collection. He asked me to direct it just four days before the shoot, and I delivered a final cut ready for submission only four days after filming.

It was something I never expected to do—let alone enjoy so much—but it allowed me to experiment with different aspects of filmmaking in a fast-paced, creative way. The collection was later featured in Vogue, which made the experience even more rewarding.